Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet's 'Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio)' came out on January 11, 2019. The duration of Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio) is about 3 minutes long, at 3:14. Based on our data, "Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 30 in Erlebach: Complete Trio Sonatas by Philipp Heinrich Erlebach, François Joubert-Caillet, L'Achéron. In terms of popularity, Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio) by Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Flaminio · Introduzione: I. 01 Allegro e spiritoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | E Minor | 1 | 9A | 73 BPM | ||
Sonata Seconda in E Minor: II. Allemande | Philipp Heinrich Erlebach, Rodolfo Richter, Alison McGillivray, Silas Standage, Eligio Quinteiro, Peter McCarthy | E♭ Minor | 0 | 2A | 79 BPM | ||
Sonata Quinta in B-Flat Major: IV. Sarabande & variatio | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | A Major | 2 | 11B | 129 BPM | ||
Médée, H. 491, Act II: Suite de la passacaille | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Major | 2 | 8B | 141 BPM | ||
Trio Sonata No. 3 in A Major: I. Adagio - Allegro - Lento | Philipp Heinrich Erlebach, Arte Mvsico, El | E♭ Major | 2 | 5B | 95 BPM |
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