"Cello Concerto (Farewell to Philosophy): (Bar 100) Più mosso" by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd was released on April 18, 2020. With this song being about 5 minutes long, at 4:52, "Cello Concerto (Farewell to Philosophy): (Bar 100) Più mosso" by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #105 out of 186 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Cello Concerto (Farewell to Philosophy): (Bar 100) Più mosso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto (Farewell to Philosophy): (Bar 100) Più mosso by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Concerto (Farewell to Philosophy): (Bar 100) Più mosso being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Juno | Harold Budd | E♭ Major | 0 | 5B | 79 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | B Minor | 0 | 10A | 92 BPM | ||
A Little Prayer | Evelyn Glennie, Barry Wordsworth | C Major | 0 | 8B | 140 BPM | ||
Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM | ||
Cadences I | Gavin Bryars, Sonic Open Orchestra, Jason Martin Castillo, Zachary Paul, Drum & Lace, Dave Valdez | D♭ Major | 4 | 3B | 116 BPM | ||
Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
Piano Quintet: V. Moderato pastorale | Alfred Schnittke, Roland Pöntinen, Tale Quartet | A♭ Major | 0 | 4B | 174 BPM | ||
Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
Act I: Trial 1, Entrance | Philip Glass Ensemble | D Major | 0 | 10B | 62 BPM | ||
Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM |
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