1 | | Divertimento for flute, oboe and clarinet, Op. 37 (1952): 3. Vivace | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | C Minor | 5A | 123 |
2 | | Carrington: Fly Drive | Michael Nyman, Valentina Lisitsa | G Major | 9B | 148 |
3 | | The Piano: Here To There | Michael Nyman, Valentina Lisitsa | C Major | 8B | 123 |
4 | | Soirées musicales, Op. 9: 1. March | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 6B | 126 |
5 | | Divertimento for flute, oboe and clarinet, Op. 37 (1952): 1. Allegro energico | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | F Major | 7B | 84 |
6 | | Divertimento for flute, oboe and clarinet, Op. 37 (1952): 4. Andantino | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | E Minor | 9A | 72 |
7 | | Divertimento for flute, oboe and clarinet, Op. 37 (1952): 6. Piacevole | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | B♭ Major | 6B | 65 |
8 | | Divertimento for flute, oboe and clarinet, Op. 37 (1952): 5. Maestoso | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | C Minor | 5A | 89 |
9 | | St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 8B | 128 |
10 | | Fantasy: Alla marcia | Malcolm Arnold, Julian Lloyd Webber | F♯ Minor | 11A | 103 |
11 | | Appalachia - Ed. Beecham: 7. Andante con grazia | Frederick Delius, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Sir Charles Mackerras | C Major | 8B | 99 |
12 | | Rollicum Rorum, Op.15, No.6 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon, Amy Dickson | G Major | 9B | 130 |
13 | | Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 5A | 100 |
14 | | Fanfare for the Wedding of Princess Elizabeth | Arnold Bax, The Philip Jones Brass Ensemble | C Major | 8B | 77 |
15 | | Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen | C Minor | 5A | 103 |
16 | | Matinées musicales, Op. 24: 3. Waltz | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | F Major | 7B | 103 |
17 | | The Diary Of Anne Frank: Goodbye Moortie | Michael Nyman, Valentina Lisitsa | D Major | 10B | 110 |
18 | | Fanfare for brass | Michael Tippett, The Philip Jones Brass Ensemble | A Minor | 8A | 84 |
19 | | Fantasy: Allegretto | Malcolm Arnold, Julian Lloyd Webber | D Minor | 7A | 128 |
20 | | Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 7B | 90 |
21 | | Appalachia - Ed. Beecham: 9. Allegro alla marcia | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | C Major | 8B | 50 |
22 | | Divertimento for flute, oboe and clarinet, Op.37 (1952): 2. Languido | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | F♯ Minor | 11A | 141 |
23 | | Cello Concerto (Farewell to Philosophy): (Bar 293) | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | D Minor | 7A | 64 |
24 | | 5 Bagatelles: 3. Alla Cubana | William Walton, Nicola Hall | B Minor | 10A | 112 |
25 | | Appalachia - Ed. Beecham: 3. Andante | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | C Major | 8B | 96 |
26 | | Cello Concerto (Farewell to Philosophy): (Bar 324) ("The Philosopher") | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | F Major | 7B | 173 |
27 | | Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | C Major | 8B | 71 |
28 | | Fantasy: Andantino - Pt. 2 | Malcolm Arnold, Julian Lloyd Webber | G Major | 9B | 84 |
29 | | Sonatina for clarinet and piano, Op.29 (1951): 3. Furioso | Malcolm Arnold, Emma Johnson, Malcolm Martineau | A Minor | 8A | 112 |
30 | | The Piano: Deep Sleep Playing | Michael Nyman, Valentina Lisitsa | D Major | 10B | 145 |
31 | | Three Shanties for Wind Quintet, Op. 4 (1943): 1. Allegro con brio | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen | D Minor | 7A | 126 |
32 | | The Diary Of Anne Frank: Candlefire | Michael Nyman, Valentina Lisitsa | F Minor | 4A | 173 |
33 | | Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium slow) | Michael Tippett, György Pauk, Nobuko Imai, Ralph Kirshbaum, London Symphony Orchestra, Sir Colin Davis | D Major | 10B | 133 |
34 | | The Piano: The Embrace | Michael Nyman, Valentina Lisitsa | D Major | 10B | 132 |
35 | | Drowning by Numbers: Sheep ‘N’ Tides | Michael Nyman, Valentina Lisitsa | E♭ Major | 5B | 69 |
36 | | Hymn | Karl Jenkins | F Major | 7B | 132 |
37 | | The Armed Man - A Mass For Peace: X. Agnus Dei | Karl Jenkins | C Major | 8B | 102 |
38 | | The Piano: The Mood That Passes Through You | Michael Nyman, Valentina Lisitsa | A Major | 11B | 92 |
39 | | Clarinet Concerto No.2, Op.115: 3. (The Pre-Goodman Rag) Allegro non troppo | Malcolm Arnold, Emma Johnson, English Chamber Orchestra, Ivor Bolton | F Major | 7B | 106 |
40 | | Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio | Malcolm Arnold, Emma Johnson, Malcolm Martineau | G Minor | 6A | 141 |
41 | | Wonderland: Bill | Michael Nyman, Valentina Lisitsa | D Major | 10B | 138 |
42 | | Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 12B | 86 |
43 | | Quirky Blue | Karl Jenkins | C Major | 8B | 111 |
44 | | The End Of The Affair: Diary Of Love | Michael Nyman, Valentina Lisitsa | A Major | 11B | 80 |
45 | | Sonatina for clarinet and piano, Op.29 (1951): 2. Andantino | Malcolm Arnold, Emma Johnson, Malcolm Martineau | C Major | 8B | 73 |
46 | | The Peacemakers: VI. Healing Light: A Celtic Prayer | Karl Jenkins | E Minor | 9A | 132 |
47 | | One Last Bar Then Joe Can sing: (Bar 238) Freely | Gavin Bryars, Nexus | G Major | 9B | 72 |
48 | | Gattaca: The Departure | Michael Nyman, Valentina Lisitsa | D Minor | 7A | 135 |
49 | | Chanson de Matin | Edward Elgar, Music Lab Collective | G Major | 9B | 89 |
50 | | The Claim: The Exchange | Michael Nyman, Valentina Lisitsa | A♭ Major | 4B | 90 |
51 | | The Perfect Fool, Ballet Music Op. 39: 2. Dance of Spirits of Water | Gustav Holst, London Philharmonic Orchestra, Sir Adrian Boult | A Minor | 8A | 80 |
54 | | Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 9B | 155 |
61 | | The Piano: All Imperfect Things | Michael Nyman, Valentina Lisitsa | G Major | 9B | 87 |
69 | | Adnan Songbook: Song VI | Gavin Bryars, Valdine Anderson, Gavin Bryars Ensemble | C Major | 8B | 81 |
73 | | English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 4A | 121 |
91 | | The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 8A | 82 |
99 | | Cello Concerto (Farewell to Philosophy): (Bar 222) | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | E Minor | 9A | 168 |
100 | | A Song before Sunrise | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 8A | 63 |
102 | | The Lark Ascending - Edit | Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | G Major | 9B | 138 |
103 | | Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 7B | 49 |
105 | | Cello Concerto (Farewell to Philosophy): (Bar 100) Più mosso | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | D Major | 10B | 105 |
108 | | Prelude to "Irmelin" | Frederick Delius, Welsh National Opera Orchestra, Sir Charles Mackerras | D Major | 10B | 87 |
112 | | Intermezzo from 'Fennimore and Gerda' | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 7B | 86 |
113 | | Adnan Songbook: Song VIII | Gavin Bryars, Valdine Anderson, Gavin Bryars Ensemble | C Major | 8B | 92 |
120 | | Cello Concerto (Farewell to Philosophy): (Bar 426) ("Farewell") a tempo | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | F♯ Minor | 11A | 84 |
121 | | Summer Night on the River | Frederick Delius, Welsh National Opera Orchestra, Sir Charles Mackerras | A Major | 11B | 73 |
122 | | The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Minor | 11A | 95 |
123 | | The Banks of Green Willow | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 9A | 80 |
124 | | Cello Concerto (Farewell to Philosophy): (Bar 354) Poco meno mosso | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | G Major | 9B | 84 |
125 | | Land Of Hope And Glory | Edward Elgar, Fron Male Voice Choir, The Coldstream Guards Band | E♭ Major | 5B | 84 |
126 | | The Planets, op.32: 7. Neptune, the Mystic | Gustav Holst, Ambrosian Singers, Concertgebouworkest, Sir Neville Marriner | E Major | 12B | 80 |
135 | | Crown Imperial: A Coronation March | William Walton, London Philharmonic Orchestra, Sir Roger Norrington | F Major | 7B | 79 |
138 | | Romance for String Orchestra, Op. 11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 4B | 83 |
139 | | Epilogue from Wonderlawn | Gavin Bryars, Gavin Bryars Ensemble | F Major | 7B | 82 |
147 | | One Last Bar Then Joe Can sing: (Bar 107) | Gavin Bryars, Nexus | C Minor | 5A | 66 |
149 | | Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 6A | 84 |
153 | | One Last Bar Then Joe Can sing: (Bar 1) Lento - più mosso | Gavin Bryars, Nexus | C Minor | 5A | 66 |
154 | | Violin Concerto, Op. 15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | D Major | 10B | 101 |
155 | | By the Vaar: (Bar 1) | Gavin Bryars, Charlie Haden, English Chamber Orchestra, James Judd | C Major | 8B | 79 |
158 | | By the Vaar: (Bar 96) | Gavin Bryars, Charlie Haden, English Chamber Orchestra, James Judd | A♭ Major | 4B | 138 |
159 | | Cello Concerto (Farewell to Philosophy): (Bar 1) | Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd | B Minor | 10A | 88 |
161 | | The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | F Minor | 4A | 103 |
166 | | A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 4A | 90 |
171 | | Guitar Concerto, Op.67: 2. Lento | Malcolm Arnold, Eduardo Fernandez, English Chamber Orchestra, Barry Wordsworth | E Major | 12B | 83 |
174 | | Florida - Suite For Orchestra: 1. Daybreak | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | A Major | 11B | 106 |
176 | | Over the Hills and Far Away | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | F Major | 7B | 135 |
180 | | Symphony No. 2: A London Symphony: 1. Lento - Allegro risoluto | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | G Major | 9B | 78 |
184 | | November Woods | Arnold Bax, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 10A | 72 |