"A Little Prayer" by Evelyn Glennie, Barry Wordsworth was released on April 2, 1990. With this song being about 5 minutes long, at 4:48, "A Little Prayer" by Evelyn Glennie, Barry Wordsworth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Rhythm Song". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, A Little Prayer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Little Prayer by Evelyn Glennie, Barry Wordsworth having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Für Fritz, Chaconne in A Minor | Moondog, Dominique Ponty, Stefan Lakatos | G Major | 3 | 9B | 140 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM | ||
Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
Both Sides, Now (Arr. R. Pontinen) | Håkan Hardenberger, Academy of St. Martin in the Fields, Kenneth Sillito | G Major | 0 | 9B | 71 BPM | ||
Sueno Recurrente | Angélica Negrón, Lara Downes | E♭ Major | 0 | 5B | 83 BPM | ||
Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
Prelude, BWV 855a - Valgeir Sigurðsson Rework | Víkingur Ólafsson, Valgeir Sigurðsson | E Minor | 2 | 9A | 129 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM |
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