Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act II: Finale: Vernehmet, Ritter und Vasallen (Bertalda, Kuhleborn, Undine, Hugo)' came out on January 1, 2005. The duration of Undine: Act II: Finale: Vernehmet, Ritter und Vasallen (Bertalda, Kuhleborn, Undine, Hugo) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Undine: Act II: Finale: Vernehmet, Ritter und Vasallen (Bertalda, Kuhleborn, Undine, Hugo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 4 out of 37. On top of that, United States appears to be the country where this track was created. Based on our statistics, Undine: Act II: Finale: Vernehmet, Ritter und Vasallen (Bertalda, Kuhleborn, Undine, Hugo)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Undine: Act II: Finale: Vernehmet, Ritter und Vasallen (Bertalda, Kuhleborn, Undine, Hugo) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op. 59, TrV 227 / Act I: Introduction | Richard Strauss, Staatskapelle Dresden, Karl Böhm | D Major | 1 | 10B | 105 BPM | ||
Undine: Act III: O kehr zuruck! (Kuhleborn, Chorus, Undine) | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | F Major | 1 | 7B | 103 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Gesellschafts-Galoppe (Society Galop), Op. 17 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | A Major | 2 | 11B | 135 BPM | ||
I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
8 Slavonic Dances, Op. 46: No. 1 in C (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 3 | 7B | 88 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: IV. Variazione II più mossa | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 149 BPM |
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