Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act III: O kehr zuruck! (Kuhleborn, Chorus, Undine)' came out on January 1, 2005. Undine: Act III: O kehr zuruck! (Kuhleborn, Chorus, Undine) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 14 out of 37. On top of that, United States appears to be the country where this track was created. In terms of popularity, Undine: Act III: O kehr zuruck! (Kuhleborn, Chorus, Undine) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act III: O kehr zuruck! (Kuhleborn, Chorus, Undine) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM | ||
Coppélia, Tableau 1 : No. 3, Mazurka. | Berliner Philharmoniker | D Major | 4 | 10B | 81 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): III. Minuetto | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | E♭ Major | 0 | 5B | 75 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan | E♭ Major | 0 | 5B | 111 BPM | ||
Variation I: Poco più animato | Johannes Brahms, SWR Symphony Orchestra, Michael Gielen | B♭ Major | 3 | 6B | 36 BPM | ||
Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" | Carl Maria von Weber, London Symphony Orchestra, Sir Colin Davis | E Minor | 2 | 9A | 72 BPM | ||
Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM | ||
Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, André Cluytens, Gabriel Tacchino, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM |
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