"Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II" by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi was released on December 13, 2019. With Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 16 in Auber: Overtures & Other Works by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carreras en la Playa | Federico Jusid | C Major | 6 | 8B | 143 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Viola Concerto in C Minor, Op. 25: III. Allegro scherzando | York Bowen, Doris Lederer, Czech Philharmonic Chamber Orchestra, Paul Polivnick | G Major | 2 | 9B | 124 BPM | ||
I Feel Pretty (Westside Story) | Mantovani Orchestra | E Major | 0 | 12B | 93 BPM | ||
Vittoria O Disfatta | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Tchaikovsky: Swan Lake Suite, Op. 20a: I. Moderato assai (arr. Mikhail Pletnev) | Pyotr Ilyich Tchaikovsky, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | ||
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM |
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