- BPM
- 135
- Key
- A Major
- Camelot
- 11B
Gesellschafts-Galoppe (Society Galop), Op. 17 - Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack Information
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 24%
- Instrumentalness
- 93%
- Liveness
- 9%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 23%
- Popularity
- 6%
- Loudness
- -15.17 dB
Summary
Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Gesellschafts-Galoppe (Society Galop), Op. 17' came out on August 18, 2003. The duration of Gesellschafts-Galoppe (Society Galop), Op. 17 is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Gesellschafts-Galoppe (Society Galop), Op. 17's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Strauss I, J.: Edition - Vol. 2". In this album, this song's track order is #4. Based on our statistics, Gesellschafts-Galoppe (Society Galop), Op. 17's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Gesellschafts-Galoppe (Society Galop), Op. 17 BPM
With Gesellschafts-Galoppe (Society Galop), Op. 17 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Gesellschafts-Galoppe (Society Galop), Op. 17 Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Music for the Royal Fireworks: Suite HWV 351: IV. La Réjouissance | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 6 | 3B | 107 BPM | |
 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter | D Major | 2 | 10B | 66 BPM | |
 | Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | |
 | Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | |
 | Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Hietzinger Reunion, Op. 24: Hietzinger Reunion (Waltz), Op. 24 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM | |
 | Der fliegende Holländer / Act 3: 7. Szene und Chor. "Steuermann, laß die Wacht!" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Woldemar Nelsson | G Major | 3 | 9B | 86 BPM | |
 | Almacks-Quadrille, Op. 243 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 3 | 6B | 98 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | |
 | Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9523317813873291
End: 0.956430196762085