Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein's 'Masquerade Suite: I. Waltz' came out on 2001. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 18 in Aram Khatchaturian: Masquerade Suite / Gayaneh / Mily Alexejewitsch Balakirew: King Lear (Guhl, Stein) by Adolf Fritz Guhl, Berlin Radio Symphony Orchestra, Horst Stein, Berlin Radio Orchestra, Adolf Fritz Guhl, Berlin Rundfunk Symphonie Orchester, Horst Stein, Berlin Radio Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Masquerade Suite: I. Waltz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Masquerade Suite: I. Waltz by Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
Ruslan and Lyudmila: Overture | Mikhail Glinka, Юрий Симонов, Оркестр Большого театра | A Major | 3 | 11B | 83 BPM | ||
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
Le nozze di Figaro, K.492: Overture | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Valse triste | Jean Sibelius, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | G Major | 0 | 9B | 170 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: Variations and Fugue on a Theme of Purcell: Theme A - Theme F | Benjamin Britten, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 66 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM |
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