Malcolm Arnold, London Philharmonic Orchestra made "Four Scottish Dances, Op. 59 - Produced" available on 1988. The duration of Four Scottish Dances, Op. 59 - Produced is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Four Scottish Dances, Op. 59 - Produced's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Malcolm Arnold, London Philharmonic Orchestra's "MALCOLM ARNOLD: Four Scottish Dances- Symphony No. 3" album is number 2 out of 7. Based on our statistics, Four Scottish Dances, Op. 59 - Produced's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Four Scottish Dances, Op. 59 - Produced by Malcolm Arnold, London Philharmonic Orchestra to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Give Us This Day: I. Moderately slow | David Maslanka, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | B♭ Major | 1 | 6B | 69 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17c, Allegro | Alexander Borodin, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 70 BPM | ||
Symphonie No. 6 dite "Pathétique", Op. 74 ; TH 30 ; ČW 27: II. Allegro con grazia en ré majeur (extrait) | Pyotr Ilyich Tchaikovsky, London Philharmonic Orchestra, Igor Markevitch | B Minor | 5 | 10A | 94 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, David Parry, London Philharmonic Orchestra | G Minor | 3 | 6A | 117 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | ||
Lincolnshire Posy: III. Rufford Park Poachers | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | F Minor | 0 | 4A | 79 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | G Major | 3 | 9B | 68 BPM | ||
An Original Suite: III. Finale | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 128 BPM | ||
Ode, Elegiac Chant in 3 parts: I. Eulogy | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
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