Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino's 'Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico)' came out on June 1, 2018. Since Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Golden Age". In this album, this song's track order is #6. Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) by Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: Symphony No. 5 in D Major: I. Preludio. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | A♭ Major | 0 | 4B | 64 BPM | ||
Liszt: 6 Consolations, S. 172: No. 3 in D-Flat Major | Franz Liszt, François-René Duchâble | A♭ Major | 1 | 4B | 73 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
L'amant anonyme, Ouverture: I. Allegro presto | Joseph Boulogne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | D Major | 1 | 10B | 176 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) | James Ehnes | B♭ Major | 1 | 6B | 63 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Turandot / Act 3: Nessun dorma! | Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 4 | 10B | 89 BPM | ||
The Four Seasons, Violin Concerto in E Major, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Pieter Schoeman, David Parry, London Philharmonic Orchestra | E Major | 2 | 12B | 109 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 123 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM |
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