Pyotr Ilyich Tchaikovsky, London Philharmonic Orchestra, Igor Markevitch's 'Symphonie No. 6 dite "Pathétique", Op. 74 ; TH 30 ; ČW 27: II. Allegro con grazia en ré majeur (extrait)' came out on March 29, 2024. The duration of Symphonie No. 6 dite "Pathétique", Op. 74 ; TH 30 ; ČW 27: II. Allegro con grazia en ré majeur (extrait) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Symphonie No. 6 dite "Pathétique", Op. 74 ; TH 30 ; ČW 27: II. Allegro con grazia en ré majeur (extrait)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Symphonie No. 6 dite "Pathétique", Op. 74 ; TH 30 ; ČW 27: II. Allegro con grazia en ré majeur (extrait) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonie No. 6 dite "Pathétique", Op. 74 ; TH 30 ; ČW 27: II. Allegro con grazia en ré majeur (extrait) by Pyotr Ilyich Tchaikovsky, London Philharmonic Orchestra, Igor Markevitch having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Symphony No. 3 in D Major, D. 200: II. Allegretto | Franz Schubert, Pittsburgh Symphony Orchestra, William Steinberg | G Major | 0 | 9B | 82 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Shallow - Symphony Orchestra Version | Zymphonica | G Major | 3 | 9B | 92 BPM | ||
Carnival Overture, Op. 92 (Arr. Lawrence for Brass Ensemble) | Antonín Dvořák, The Philharmonic Brass, Tugan Sokhiev | E♭ Major | 2 | 5B | 134 BPM | ||
Symphony No. 7 in D minor, Op. 70: 3. Scherzo (Vivace) | Antonín Dvořák, London Symphony Orchestra, István Kertész | D♭ Major | 0 | 3B | 66 BPM | ||
5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra) | Richard Strauss, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | C Minor | 3 | 5A | 76 BPM | ||
Hungarian Dance No.2 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 69 BPM | ||
The Wolf and the Seven Young Goats: IV. Big Bad Wolf | Alexander Litvinovsky, Pavel Lyubomudrov, Metamorphose String Orchestra, Alexey Lundin, Halidon | A Major | 1 | 11B | 87 BPM | ||
Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | C Major | 1 | 8B | 68 BPM |
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