"Symphony No. 7 in D minor, Op. 70: 3. Scherzo (Vivace)" by Antonín Dvořák, London Symphony Orchestra, István Kertész was released on January 13, 2024. With Symphony No. 7 in D minor, Op. 70: 3. Scherzo (Vivace) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 19th Century Classical, so we believe that "Symphony No. 7 in D minor, Op. 70: 3. Scherzo (Vivace)" is a single. Symphony No. 7 in D minor, Op. 70: 3. Scherzo (Vivace) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 7 in D minor, Op. 70: 3. Scherzo (Vivace) by Antonín Dvořák, London Symphony Orchestra, István Kertész is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Symphony No. 9 in C Major, D.944 "The Great": III. Scherzo. Allegro vivace - Trio - 2024 Remastered Version | Franz Schubert, William Steinberg, Boston Symphony Orchestra | G Major | 2 | 9B | 110 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 96 in D Major, Hob. I:96 "The Miracle": IV. Finale. Vivace assai | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | D Major | 1 | 10B | 93 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Preludes, Op. 23: No. 5 in G Minor - Triphonola 51661 | Sergei Rachmaninoff, Peter Phillips, Ossip Gabrilowitsch | F Major | 1 | 7B | 108 BPM | ||
Valse lente | Germaine Tailleferre, Lang Lang | F♯ Minor | 0 | 11A | 80 BPM | ||
Pulcinella Suite: IX. Finale. Allegro assai | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 4 | 8B | 151 BPM | ||
6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | A Major | 1 | 11B | 138 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM |
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