"5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra)" by Richard Strauss, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon was released on March 15, 2024. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When Night Falls ... by Elina Garanca, Richard Strauss, Raimonds Pauls, Johannes Brahms, Franz Schubert. The song's track number on the album is #1 out of 18 tracks. Based on our data, Germany was the country where this track was produced or recorded. 5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra) by Richard Strauss, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roberto Devereux / Act 1: "All'afflitto è dolce il pianto" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | G Major | 1 | 9B | 91 BPM | ||
String Quartet No. 12 in F Major, Op. 96 "American": II. Lento | Antonín Dvořák, Ragazze Quartet | D♭ Major | 0 | 3B | 88 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Carmen, Act I: Habanera. L'amour est un oiseau rebelle | Georges Bizet, Aigul Akhmetshina, Royal Philharmonic Orchestra, Daniele Rustioni | D Major | 1 | 10B | 124 BPM | ||
Barcarolle No. 1 in A Minor, Op. 26 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Traditional: La bruja (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Luciana Mancini | B Minor | 4 | 10A | 77 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM |
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