"II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek)" by Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange was released on March 8, 2024. The duration of II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. In terms of popularity, II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) by Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respiro 3 | Olivia Belli | E♭ Minor | 0 | 2A | 69 BPM | ||
Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Canon in D Variation (From Canon in D Major, P. 37/T. 337, Arr. for Piano and Violin by Svetoslav Karparov) | Johann Pachelbel, Gabriele Bagnati, Esther Abrami | D Major | 1 | 10B | 109 BPM | ||
The Wings Suite, Op. 16, No. 4: Harpia (Arr. for Orchestra by Rodrigo Morte) | Fabio Caramuru, Amazonas Filarmônica, Marcelo de Jesus | D Major | 3 | 10B | 99 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
The Seasons, Op. 37b: X. October "Autumn Song" (Arr. for Violin and Orchestra by Matthias Spindler) | Pyotr Ilyich Tchaikovsky, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | A♭ Major | 1 | 4B | 174 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
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