"幻想交響曲 作品14: Berlioz: 幻想交響曲 作品14 - 第2楽章: 舞踏会 - 2014年 キッセイ文化ホール(ライヴ)" by Hector Berlioz, Saito Kinen Orchestra, Seiji Ozawa was released on July 6, 2016. Since 幻想交響曲 作品14: Berlioz: 幻想交響曲 作品14 - 第2楽章: 舞踏会 - 2014年 キッセイ文化ホール(ライヴ) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ベルリオーズ:幻想交響曲 作品14 [2014年 キッセイ文化ホール(ライヴ)], so we believe that "幻想交響曲 作品14: Berlioz: 幻想交響曲 作品14 - 第2楽章: 舞踏会 - 2014年 キッセイ文化ホール(ライヴ)" is a single. 幻想交響曲 作品14: Berlioz: 幻想交響曲 作品14 - 第2楽章: 舞踏会 - 2014年 キッセイ文化ホール(ライヴ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 幻想交響曲 作品14: Berlioz: 幻想交響曲 作品14 - 第2楽章: 舞踏会 - 2014年 キッセイ文化ホール(ライヴ) by Hector Berlioz, Saito Kinen Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 - Part Two: No. 43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat" | Johann Sebastian Bach, John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | D Major | 2 | 10B | 98 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell | E Minor | 1 | 9A | 125 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
St. Matthew Passion, BWV 244 - Part Two: No. 42 Aria (Bass): "Gebt mir meinen Jesum wieder" | Johann Sebastian Bach, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | E Minor | 3 | 9A | 121 BPM | ||
Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章 | Ludwig van Beethoven, のだめオーケストラ | D Major | 1 | 10B | 129 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Henry VIII: Introduction | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 95 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20: III. Scherzo (Allegro leggierissimo) | Felix Mendelssohn, Emerson String Quartet | G Minor | 1 | 6A | 151 BPM |
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