"Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章" by Ludwig van Beethoven, のだめオーケストラ was released on January 30, 2010. Since Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ベートーヴェン 交響曲第7番イ長調作品92, so we believe that "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章" is a single. Based on our statistics, Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章 by Ludwig van Beethoven, のだめオーケストラ is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ニールセン:交響曲第4番「不滅」より 第4部 | Nielsen, のだめカンタービレ | E Major | 3 | 12B | 93 BPM | ||
15 Three-part Inventions, BWV 787/801: No. 10 in G, BWV 796 | Johann Sebastian Bach, András Schiff | F Major | 2 | 7B | 101 BPM | ||
蝶々(《抒情小品集》第3集から)作品43の1 | エドヴァルド・グリーク, Fujiko Hemming | F♯ Minor | 0 | 11A | 130 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 6 Homeward | Edvard Grieg, Emil Gilels | D Major | 2 | 10B | 121 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | B♭ Major | 2 | 6B | 97 BPM | ||
「展覧会の絵」~プロムナード(ムソルグスキー/ラヴェル編) | Marcello Rota, Czech National Symphony Orchestra | F Major | 1 | 7B | 92 BPM | ||
Lyric Pieces, Book 3, Op. 43: Butterfly, Op. 43, No. 1 | Edvard Grieg, Balazs Szokolay | E Major | 1 | 12B | 68 BPM | ||
組曲 展覧会の絵, 1. グノムス (こびと) | Modest Mussorgsky, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | B Major | 1 | 1B | 119 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Varation 6 | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra | E Minor | 1 | 9A | 61 BPM |
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