Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra's 'ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り' came out on 2008. With ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ムソルグスキー:「展覧会の絵」ラヴェル編、禿山の一夜、ボロディン:ダッタン人の踊り、「中央アジアの草原にて, so we believe that "ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り" is a single. In terms of popularity, ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ダッタン人の踊り (歌劇 イーゴリ公より) 7 少年たちの踊りと男たちの踊り by Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
ピアノ協奏曲 第 23番 イ長調, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, 田部京子, Ken-Ichiro Kobayashi, 日本フィルハーモニー交響楽団 | F♯ Minor | 0 | 11A | 70 BPM | ||
Prince Igor (Knyaz Igor): Act II: Ni sna, ni ordikha (There is neither sleep, nor rest) (Prince Igor) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B♭ Minor | 3 | 3A | 89 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17f, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 69 BPM | ||
Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 79 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Minor | 0 | 6A | 73 BPM |
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