"Missa Sanctae Crucis, MH 56: Credo" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 25 out of 28. On top of that, Hungary appears to be the country where this track was created. The popularity of Missa Sanctae Crucis, MH 56: Credo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Sanctae Crucis, MH 56: Credo by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75: Concerto a 3 voci [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Graduale: II. In memoria aeterna | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 137 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Reine de la nature, ô puissante déesse ! | Jean-Marie Leclair, d’Albaret, David Witczak, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 3 | 4B | 94 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Les Indes galantes, RCT 44, Act I: Dans les abîmes de la terre | Jean-Philippe Rameau, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Miserere: III. Tibi soli peccavi ; Ecce enim in iniquitatibus conceptus sum - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 63 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Missa Sancta Theresiae: Gloria in excelsis Deo | Michael Haydn, Mária Zádori, Lucia Medgyesi-Schwartz, Jozsef Mukk, László Jekl, Jeunesses Musicales Chorus, Erdõdy Chamber Orchestra, Domonkos Heja | C Major | 2 | 8B | 65 BPM |
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