"Graduale: II. In memoria aeterna" by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena was released on January 1, 2001. With Graduale: II. In memoria aeterna being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena's "Morales: Requiem" album is number 8 out of 28. On top of that, Mexico appears to be the country where this track was created. Based on our statistics, Graduale: II. In memoria aeterna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Graduale: II. In memoria aeterna by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Fervent Supplication | The Russian State Symphony Cappella | C Major | 2 | 8B | 134 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Ave Generosa | Hildegard von Bingen, Micaela Bottari, Olivia Dowden, Lucy Hole, Alex Meakem, Kate Miksits, Kamala Silvey, Danielle Verguldi, Camille Watson, James Jordan | G Minor | 0 | 6A | 87 BPM | ||
Threnos | John Tavener, Natalie Clein | F Major | 0 | 7B | 104 BPM | ||
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
La pastorella mia | Jacques Arcadelt, Shirley Rumsey | A Minor | 0 | 8A | 96 BPM | ||
Krummi | Trio Mediæval, Arve Henriksen | A Minor | 0 | 8A | 115 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Song of Cherubs: Izhe Kheruvimi (Cherubic Hymn): No. 7 in D Major | St. Petersburg Optina Pustyn Male Choir | A Major | 2 | 11B | 130 BPM |
Section: 0.667504072189331
End: 0.672858476638794