Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré's 'Te Deum, H. 146: III. Te aeternum Patrem' came out on April 27, 1989. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. In terms of popularity, Te Deum, H. 146: III. Te aeternum Patrem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: III. Te aeternum Patrem by Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Benedictus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Magnificat: Magnificat | Giovanni Battista Pergolesi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 172 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Landi : Il Sant'Alessio : Act 2 "O Morte gradita" [Sant'Alessio] | Stefano Landi, William Christie, Les Arts Florissants | G Major | 0 | 9B | 176 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Gilles Ragon, Noemi Rime, Bernard Deletré, Jean-Paul Fouchécourt | A♭ Major | 1 | 4B | 82 BPM | ||
L'Ivrogne corrigé: "Rendez mon époux à la vie" | Christoph Willibald Gluck, Les Arts Florissants, William Christie, Benedetta Mazzucato, Daniela Skorka, Zachary Wilder | E♭ Major | 2 | 5B | 125 BPM | ||
Symphonies pour les Soupers du Roy | Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe | F Minor | 0 | 4A | 105 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM |
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