Georg Philipp Telemann, Sarah Cunningham made "Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso" available on 1991. The duration of Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso is about 3 minutes long, at 3:25. Based on our data, "Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 48 in the song's album "Play This Passionate: Music for solo viola da gamba". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso by Georg Philipp Telemann, Sarah Cunningham having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
12 Trio Sonate, Op. 3: Sonata No. 2 in re maggiore: II. Allegro | Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese | A Major | 2 | 11B | 131 BPM | ||
Concerto Grosso, Op. 6, No. 01 in G Major (HWV 319): A tempo giusto | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 0 | 2B | 87 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Sonata a 2, and Basso Continuo: I. Allegro | Anonymous, Florilegium | E♭ Minor | 0 | 2A | 83 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM |
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