On March 18, 2022, the song "12 Trio Sonate, Op. 3: Sonata No. 2 in re maggiore: II. Allegro" was released by Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese. With 12 Trio Sonate, Op. 3: Sonata No. 2 in re maggiore: II. Allegro being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese's "Giuseppe Tartini: 6 Sonate Op. 3 & 1 Sonata per flauto traverso e cembalo" album is number 2 out of 18. On top of that, Italy appears to be the country where this track was created. Based on our statistics, 12 Trio Sonate, Op. 3: Sonata No. 2 in re maggiore: II. Allegro's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 12 Trio Sonate, Op. 3: Sonata No. 2 in re maggiore: II. Allegro by Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 10 in B Minor: II. Allegro | Francesco Mancini, Claudio Ferrarini | B Minor | 3 | 10A | 127 BPM | ||
Concerto for Piano in B-Flat Major: III. Rondò (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | C Major | 2 | 8B | 68 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
Sonate e Partite: No. 35, Allegro grazioso | Francesco Lecce, Claudio Ferrarini | F Major | 2 | 7B | 116 BPM | ||
Abdelazar Suite, Z. 570: V. Minuet | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 90 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonate e Partite: No. 44, Andante appassionato | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM |
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