"Sinfonia in A Major: II. Andante" by Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek was released on February 23, 1994. The duration of Sinfonia in A Major: II. Andante is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Sinfonia in A Major: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Capella Istropolitana, Jaroslav Krcek's "Italian Concerti Grossi" album is number 2 out of 32. In terms of popularity, Sinfonia in A Major: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia in A Major: II. Andante by Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | E Minor | 1 | 9A | 118 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Il Giardino Armonico, Enrico Onofri, Marco Cera, Paolo Grazzi, Trompeten-Consort Innsbruck, Giovanni Antonini | D♭ Major | 4 | 3B | 114 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Partie (Suite) In G Major: 1. Sonatina (Adagio) | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 136 BPM | ||
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Chi vole aver felice e lieto il core, 'cantato à voce piena, alla francese' (sv162) | Claudio Monteverdi / Guarini (t), Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 84 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM |
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