"Viola Concerto in G Major, TWV 51:G9: III. Andante" by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger was released on April 15, 1989. With this song being about 5 minutes long, at 4:36, "Viola Concerto in G Major, TWV 51:G9: III. Andante" by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Telemann: Recorder Suite in A minor - Viola Concerto - Tafelmusik: 2 Concerti". In this album, this song's track order is #3. In terms of popularity, Viola Concerto in G Major, TWV 51:G9: III. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Viola Concerto in G Major, TWV 51:G9: III. Andante by Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": I. Allegro | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | D Major | 2 | 10B | 115 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Keyboard Concerto in E Major, BWV 1053: I. Allegro | Johann Sebastian Bach, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Minor | 3 | 12A | 94 BPM | ||
Flute Concerto In F Major, Op. 10, No. 1, RV 433, "La Tempesta Di Mare": I. Allegro | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | F Major | 4 | 7B | 109 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Nel petto il cor mi giubila | Georg Philipp Telemann, Marie-Sophie Pollak, Dominik Köninger, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Trio Sonata in G Major, BWV 1038: II. Vivace | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | G Major | 3 | 9B | 182 BPM |
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