On April 14, 1999, the song "Armee, Op. 24: Armee-Marsch, Op. 24" was released by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer. The duration of Armee, Op. 24: Armee-Marsch, Op. 24 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Armee, Op. 24: Armee-Marsch, Op. 24's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 18". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. The popularity of Armee, Op. 24: Armee-Marsch, Op. 24 is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Armee, Op. 24: Armee-Marsch, Op. 24 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | F Minor | 5 | 4A | 167 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Die Clienten, Walzer, Op. 156 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Mika Eichenholz | G Major | 2 | 9B | 170 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM |
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