Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Eugénie Lefebvre, Judith van Wanroij, Les Talens Lyriques's 'Les Horaces, Acte III, Scène 4: Mes fils ne sont donc plus ?' came out on 2016. With Les Horaces, Acte III, Scène 4: Mes fils ne sont donc plus ? being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 43 out of 55 in Antonio Salieri: Les Horaces by Antonio Salieri, Nicolas-François Guillard, Julien Dran, Jean-Sébastien Bou, Judith van Wanroij, Andrew Foster-Williams, Christophe Rousset, Les Talens Lyriques, Cyrille Dubois, Les Chantres du Centre de Musique Baroque de Versailles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Les Horaces, Acte III, Scène 4: Mes fils ne sont donc plus ?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Horaces, Acte III, Scène 4: Mes fils ne sont donc plus ? by Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Jean-Sébastien Bou, Eugénie Lefebvre, Judith van Wanroij, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 120 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Axur, Finale | Antonio Salieri, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy | G Major | 3 | 9B | 95 BPM | ||
Les Danaides: V. Allegretto | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | B♭ Major | 1 | 6B | 83 BPM | ||
Andante e Rondo ungarese in C Minor, Op. 35, J. 158: Rondo. Adagio | Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 1 | 8A | 71 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Symphony in G Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 118 BPM | ||
Symphony in F minor, H.I No. 49 -"La passione": 1. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | F Minor | 0 | 4A | 84 BPM |
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