"Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose" by Charles Ives, Michael Tilson Thomas was released on 1985. Since Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Ives, Michael Tilson Thomas, Chicago Symphony Orchestra, Concertgebouworkest's "Michael Tilson Thomas Conducts Ives" album is number 9 out of 46. Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose by Charles Ives, Michael Tilson Thomas to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto | Charles Ives, Hilary Hahn, Valentina Lisitsa | A Minor | 1 | 8A | 72 BPM | ||
Il tabarro, SC 85: Introduzione | Giacomo Puccini, Dresdner Philharmonie, Marek Janowski | A Major | 0 | 11B | 202 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
Turangalîla Symphonie: 6. Jardin du sommeil d'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 0 | 2B | 107 BPM | ||
In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy | William Grant Still, Fort Smith Symphony, John Jeter | B♭ Minor | 0 | 3A | 103 BPM | ||
Der Schwanendreher - Concerto For Viola & Small Orchestra: 1. "Zwischen Berg und tiefem Tal" | Paul Hindemith, Daniel Benyamini, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 97 BPM |
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