"Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto" by Charles Ives, Hilary Hahn, Valentina Lisitsa was released on January 1, 2011. The duration of Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto is about 3 minutes long, at 3:17. Based on our data, "Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in Charles Ives: Four Sonatas by Charles Ives, Hilary Hahn, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto by Charles Ives, Hilary Hahn, Valentina Lisitsa is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy | William Grant Still, Fort Smith Symphony, John Jeter | B♭ Minor | 0 | 3A | 103 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
String Quartet in G Minor, Op. 10: III. Andantino (Doucement expressif) | Claude Debussy, Quatuor Ébène | A Minor | 0 | 8A | 129 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Piano Trio No.2, Op.67: 4. Allegretto - Adagio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | F♯ Minor | 0 | 11A | 84 BPM | ||
Set No. 1 for Chamber Orchestra: III. The Ruined River (The New River) | Charles Ives, Orchestra New England, James Sinclair | N/A | N/A | N/A | 0 BPM |
Section: 0.8659319877624512
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