Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto
Charles Ives, Hilary Hahn, Valentina Lisitsa
Charles Ives: Four Sonatas
3:17 January 1, 2011
BPM
72
Key
A Minor
Camelot
8A

Embed

Share Link

Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto - Charles Ives, Hilary Hahn, Valentina Lisitsa Information

Acousticness
94%
Danceability
23%
Energy
7%
Instrumentalness
1%
Liveness
11%
Loudness
62%
Speechiness
5%
Valence
7%
Popularity
Loudness
-22.904 dB

Summary

"Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto" by Charles Ives, Hilary Hahn, Valentina Lisitsa was released on January 1, 2011. The duration of Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto is about 3 minutes long, at 3:17. Based on our data, "Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in Charles Ives: Four Sonatas by Charles Ives, Hilary Hahn, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto BPM

The tempo marking of Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto by Charles Ives, Hilary Hahn, Valentina Lisitsa is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sonata for Violin and Piano No. 2: III. The Revival. Largo - Allegretto Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
In memoriam, In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for DemocracyWilliam Grant Still, Fort Smith Symphony, John JeterB♭ Minor03A103 BPM
Appalachian Spring: III. Moderato by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: III. ModeratoAaron Copland, Leonard Bernstein, New York PhilharmonicF♯ Major02B177 BPM
Mahler: Blumine by Gustav Mahler, San Francisco Symphony, Michael Tilson ThomasMahler: BlumineGustav Mahler, San Francisco Symphony, Michael Tilson ThomasC Major18B100 BPM
Appalachian Spring: IV. Quite Fast by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: IV. Quite FastAaron Copland, Leonard Bernstein, New York PhilharmonicE Major312B127 BPM
String Quartet in G Minor, Op. 10: III. Andantino (Doucement expressif) by Claude Debussy, Quatuor ÉbèneString Quartet in G Minor, Op. 10: III. Andantino (Doucement expressif)Claude Debussy, Quatuor ÉbèneA Minor08A129 BPM
Copland: Symphony No. 3: I. Molto moderato, with simple expression by Aaron Copland, San Francisco Symphony, Michael Tilson ThomasCopland: Symphony No. 3: I. Molto moderato, with simple expressionAaron Copland, San Francisco Symphony, Michael Tilson ThomasA Major111B82 BPM
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant by Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraRavel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormantMaurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraA Minor08A65 BPM
Serenade: II. Larghetto by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitSerenade: II. LarghettoKrzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitC Minor15A83 BPM
Piano Trio No.2, Op.67: 4. Allegretto - Adagio by Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats LidströmPiano Trio No.2, Op.67: 4. Allegretto - AdagioDmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats LidströmF♯ Minor011A84 BPM
Set No. 1 for Chamber Orchestra: III. The Ruined River (The New River) by Charles Ives, Orchestra New England, James SinclairSet No. 1 for Chamber Orchestra: III. The Ruined River (The New River)Charles Ives, Orchestra New England, James SinclairN/AN/AN/A0 BPM
ISRC
DEN960902743
Label
L-M Records/RCA Records

Section: 0.8659319877624512

End: 0.8717889785766602