"Bartók: For Children, Sz. 42, Book I "Based On Hungarian Folk Tunes": No. 31, Andante tranquillo" by Béla Bartók, Georges Pludermacher was released on January 1, 1996. With Bartók: For Children, Sz. 42, Book I "Based On Hungarian Folk Tunes": No. 31, Andante tranquillo being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georges Pludermacher's "L'atelier des pianistes, vol. 2 : Moyen" album is number 40 out of 47. On top of that, France appears to be the country where this track was created. Bartók: For Children, Sz. 42, Book I "Based On Hungarian Folk Tunes": No. 31, Andante tranquillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bartók: For Children, Sz. 42, Book I "Based On Hungarian Folk Tunes": No. 31, Andante tranquillo by Béla Bartók, Georges Pludermacher to be Grave (very slow) because the track has a tempo of 45 BPM, a half-time of 22BPM, and a double-time of 90 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
24 Préludes, Op. 28: 2. In A Minor | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance | Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop | E♭ Major | 0 | 5B | 162 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto | Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano | G Major | 0 | 9B | 89 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
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