Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto
Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano
Brahms: Violin Concerto; Bartók: Violin Concerto No.1
8:39 November 6, 2015
BPM
89
Key
G Major
Camelot
9B

Embed

Share Link

Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto - Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano Information

Acousticness
90%
Danceability
10%
Energy
4%
Instrumentalness
13%
Liveness
28%
Loudness
59%
Speechiness
5%
Valence
3%
Popularity
Loudness
-24.801 dB

Summary

"Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto" by Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano was released on November 6, 2015. Since Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Brahms: Violin Concerto; Bartók: Violin Concerto No.1 by Janine Jansen, London Symphony Orchestra, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto BPM

The tempo marking of Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto by Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings)Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraD♭ Major33B75 BPM
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes by Olivier Messiaen, Martin FröstQuatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettesOlivier Messiaen, Martin FröstD♭ Major23B107 BPM
Violin Concerto No. 2 in D Minor, Op. 44: III. Finale. Allegro molto by Max Bruch, Richard Hickox, London Symphony Orchestra, Lydia MordkovitchViolin Concerto No. 2 in D Minor, Op. 44: III. Finale. Allegro moltoMax Bruch, Richard Hickox, London Symphony Orchestra, Lydia MordkovitchG Major29B162 BPM
Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: III. Allegro molto by Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony OrchestraViolin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: III. Allegro moltoBéla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony OrchestraD Major210B118 BPM
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea NosedaPiano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto)Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea NosedaD♭ Major03B87 BPM
Piano Quintet In A, Op.81, B. 155: 4. Finale (Allegro) by Antonín Dvořák, Menahem Pressler, Emerson String QuartetPiano Quintet In A, Op.81, B. 155: 4. Finale (Allegro)Antonín Dvořák, Menahem Pressler, Emerson String QuartetA Major111B123 BPM
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) by Horacio Gutiérrez, London Symphony Orchestra, André PrevinPiano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening)Horacio Gutiérrez, London Symphony Orchestra, André PrevinD♭ Major33B123 BPM
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino by Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony OrchestraProkofiev: Violin Concerto No. 1 in D Major, Op. 19: I. AndantinoSergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony OrchestraG Major29B76 BPM
String Quartet In D Minor, Op.56 String Quartet In D Minor, Op.56 "Voces Intimae": 3. Adagio di moltoJean Sibelius, Emerson String QuartetF Major17B123 BPM
Piano Concerto No. 1, BB 91, Sz. 83: 2. Andante by Béla Bartók, Pascal Rogé, London Symphony Orchestra, Walter WellerPiano Concerto No. 1, BB 91, Sz. 83: 2. AndanteBéla Bartók, Pascal Rogé, London Symphony Orchestra, Walter WellerF♯ Major12B89 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8972389698028564

End: 0.9007024765014648