"Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto" by Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano was released on November 6, 2015. Since Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Brahms: Violin Concerto; Bartók: Violin Concerto No.1 by Janine Jansen, London Symphony Orchestra, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto by Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 44: III. Finale. Allegro molto | Max Bruch, Richard Hickox, London Symphony Orchestra, Lydia Mordkovitch | G Major | 2 | 9B | 162 BPM | ||
Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: III. Allegro molto | Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra | D Major | 2 | 10B | 118 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
Piano Quintet In A, Op.81, B. 155: 4. Finale (Allegro) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 123 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
String Quartet In D Minor, Op.56 "Voces Intimae": 3. Adagio di molto | Jean Sibelius, Emerson String Quartet | F Major | 1 | 7B | 123 BPM | ||
Piano Concerto No. 1, BB 91, Sz. 83: 2. Andante | Béla Bartók, Pascal Rogé, London Symphony Orchestra, Walter Weller | F♯ Major | 1 | 2B | 89 BPM |
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