Vienna Volksoper Orchestra, Alfred Scholz's 'Der Zigeunerbaron, Op. 422: Ouvertüre' had a release date set for January 1, 2000. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The song is number 11 out of 11 in Classic Dreams (16) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Der Zigeunerbaron, Op. 422: Ouvertüre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Zigeunerbaron, Op. 422: Ouvertüre by Vienna Volksoper Orchestra, Alfred Scholz is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An der schönen blauen Donau, Op. 314 (El Bello Danubio Azul) | Vienna Volksoper Orchestra, Max Schönherr | D Major | 2 | 10B | 190 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
La traviata: Act I: Libiamo ne' lieti calici (Brindisi) | Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 66 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Czardas | Vittorio Monti, Josef Sakonov, London Festival Orchestra | D Major | 4 | 10B | 82 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Macbeth: Chi V'impose Uniroi A Noi? | Vienna State Opera Chorus, Vienna Volksoper Orchestra | G Major | 2 | 9B | 138 BPM |