Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano's 'La traviata: Act I: Libiamo ne' lieti calici (Brindisi)' came out on 1993. The duration of La traviata: Act I: Libiamo ne' lieti calici (Brindisi) is about 3 minutes long, at 3:05. Based on our data, "La traviata: Act I: Libiamo ne' lieti calici (Brindisi)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: La Traviata - The Sony Opera House by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #4 out of 45 tracks. Based on our data, United States was the country where this track was produced or recorded. La traviata: Act I: Libiamo ne' lieti calici (Brindisi) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata: Act I: Libiamo ne' lieti calici (Brindisi) by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With La traviata: Act I: Libiamo ne' lieti calici (Brindisi) being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Ove m'inoltro? (Paolina) | Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
Mefistofele: Act I - La canzone del fischio - Son lo spirito che nega | Arrigo Boito, Riccardo Muti | F Minor | 2 | 4A | 131 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 111 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Tosca: E lucevan le stelle | Giacomo Puccini, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | B Minor | 1 | 10A | 66 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Un bel dì vedremo (Butterfly) | Giacomo Puccini, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 2 | 2B | 60 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 140 BPM |
Section: 0.6869127750396729
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