"Requiem: Andante" by Antonio Caldara, Musica Fiorita, Daniela Dolci was released on February 4, 2014. The duration of Requiem: Andante is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Requiem: Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 32 in Caldara: Requiem by Antonio Caldara, Daniela Dolci. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Requiem: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: Andante by Antonio Caldara, Musica Fiorita, Daniela Dolci is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Christ lag in Todes Banden, BWV 4: Sinfonia | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 77 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
Cavalli: La Rosinda, Act 3: "Vieni, vieni in questo seno" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 0 | 6A | 98 BPM | ||
Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | E Major | 1 | 12B | 114 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM |
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