"Cavalli: La Rosinda, Act 3: "Vieni, vieni in questo seno"" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata was released on October 23, 2015. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 16 in Cavalli: "L'amore innamorato" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Cavalli: La Rosinda, Act 3: "Vieni, vieni in questo seno" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: La Rosinda, Act 3: "Vieni, vieni in questo seno" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Tarantella Napoletana, Tono Hypodorico | Christina Pluhar, Athanasius Kircher, L'Arpeggiata | F Major | 2 | 7B | 157 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Caresana / Arr. Pluhar: La Tarantella | Cristofaro Caresana, Christina Pluhar, Céline Scheen, Valer Sabadus, Luciana Mancini, Vincenzo Capezzuto, Zachary Wilder, Joao Fernandes | G Major | 3 | 9B | 118 BPM | ||
Artemisia: Act I: Sinfonia - Dure selci (Artemisia, Eurillo, Indamoro) | Francesco Cavalli, Francesca Lombardi Mazzulli, Roberta Mameli, Valentina Coladonato, Maarten Engeltjes, Andrea Arrivabene, Marina Bartoli, Silvia Frigato, Salvo Vitale, Alberto Allegrezza, Alessandro Giangrande, La Venexiana, Claudio Cavina | A Minor | 1 | 8A | 118 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Handel / Arr Pluhar: Sinfonia (The Arrival of the Queen of Sheba, from Solomon HWV 67) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | B♭ Major | 2 | 6B | 132 BPM |
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