"Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile)" by Orquesta Sinfónica De Munich, Wilhen Hertz was released on February 18, 1976. Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile) is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 2 out of 5 in Berlioz: Sinfonía Fantástica, Op. 14 by Orquesta Sinfónica De Munich, Wilhen Hertz. In terms of popularity, Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile) by Orquesta Sinfónica De Munich, Wilhen Hertz is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Noble Distinctive | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | ||
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki | D Minor | 1 | 7A | 109 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 71 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Sinfonía | Orquesta Sinfónica Y Coro De La RAI De Roma | D Major | 2 | 10B | 136 BPM |
Section: 0.8420705795288086
End: 0.8455216884613037