"Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio" by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1990. Since Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Schumann: Symphony No.4 In D Minor, Op.120 / Dvorak: Symphony No. 8 In G Major, Op. 88". In this album, this song's track order is #5. Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": III. Allegretto | Antonín Dvořák, Neeme Järvi, Royal Scottish National Orchestra | C Minor | 2 | 5A | 90 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Nowak Edition): II. Scherzo. Bewegt, lebhaft - Trio. Schnell | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | F♯ Minor | 1 | 11A | 97 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Czech Suite, Op. 39: III. Sousedska. Minuetto | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM |
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