Darius Milhaud, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra made "Milhaud: Cello Concerto No. 1, Op. 136: III. Joyeux" available on 1990. The duration of Milhaud: Cello Concerto No. 1, Op. 136: III. Joyeux is about 3 minutes long, at 3:09. Based on our data, "Milhaud: Cello Concerto No. 1, Op. 136: III. Joyeux" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mstislav Rostropovich's "Milhaud, Honegger, Hoddinott & Moret: Works for Cello and Orchestra" album is number 3 out of 8. Milhaud: Cello Concerto No. 1, Op. 136: III. Joyeux is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Milhaud: Cello Concerto No. 1, Op. 136: III. Joyeux by Darius Milhaud, Mstislav Rostropovich, Kent Nagano, London Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 93 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 125 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | E♭ Minor | 4 | 2A | 119 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
La creation du monde, Op. 81: II. La naissance de la flore et de la faune (Version for wind ensemble) | Darius Milhaud, Claude Delangle, Jonas Lindgard, Christian Bergqvist, Christina Wirdegren Alin, Stefan Lindgren, Swedish Wind Ensemble, Christian Lindberg | B Minor | 1 | 10A | 96 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |
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