"Byrd: Mass for Five Voices - 09. Pleni Sunt Caeli" by William Byrd, Peter Phillips, The Tallis Scholars was released on October 3, 2007. With Byrd: Mass for Five Voices - 09. Pleni Sunt Caeli being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 67 in the song's album "The Tallis Scholars Sing William Byrd". In this album, this song's track order is #9. In terms of popularity, Byrd: Mass for Five Voices - 09. Pleni Sunt Caeli is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Byrd: Mass for Five Voices - 09. Pleni Sunt Caeli by William Byrd, Peter Phillips, The Tallis Scholars having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Ogn'hor per voi sospiro | Philippe Verdelot, Capilla Flamenca | G Minor | 1 | 6A | 78 BPM | ||
Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | G Minor | 1 | 6A | 73 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Mit Fried und Freud fahr ich dahin | Martin Luther, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 82 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | ||
ll est bel et bon, commere, mon mary: Il est bel et bon | Pierre Passereau, Scholars of London | C Minor | 3 | 5A | 135 BPM |
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