Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight
Thomas Tallis, The Tallis Scholars, Peter Phillips
Thomas Tallis - The Complete English Anthems
0:55 April 1, 1986
BPM
191
Key
B Minor
Camelot
10A

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Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight - Thomas Tallis, The Tallis Scholars, Peter Phillips Information

Acousticness
100%
Danceability
15%
Energy
6%
Instrumentalness
0%
Liveness
8%
Loudness
57%
Speechiness
5%
Valence
5%
Popularity
Loudness
-25.935 dB

Summary

"Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight" by Thomas Tallis, The Tallis Scholars, Peter Phillips was released on April 1, 1986. With Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Thomas Tallis - The Complete English Anthems". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. The popularity of Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight BPM

With Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight by Thomas Tallis, The Tallis Scholars, Peter Phillips having a BPM of 191 with a half-time of 96 BPM and a double-time of 382 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight Key

This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

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ISRC
GBADM8650723
Label
L-M Records/RCA Records

Section: 0.5568985939025879

End: 0.5606796741485596