"Piano Sonata No. 2, "Concord, Mass., 1840–1860": III. The Alcotts" by Charles Ives, Donald Berman was released on May 3, 2024. Piano Sonata No. 2, "Concord, Mass., 1840–1860": III. The Alcotts is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Charles Ives, Donald Berman's "Ives: Piano Sonata No. 2 “Concord, Mass., 1840–1860” • The St. Gaudens (“Black March”)" album is number 4 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Piano Sonata No. 2, "Concord, Mass., 1840–1860": III. The Alcotts is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piano Sonata No. 2, "Concord, Mass., 1840–1860": III. The Alcotts by Charles Ives, Donald Berman to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Small Orchestra: Summer Night on the River | Frederick Delius, Symphony Nova Scotia, Georg Tintner | A Major | 0 | 11B | 57 BPM | ||
Dance Preludes *: No. 1. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B Major | 3 | 1B | 100 BPM | ||
In memoriam, "The Colored Soldiers who Died for Democracy": In Memoriam: The Colored Soldiers Who Died for Democracy | William Grant Still, Fort Smith Symphony, John Jeter | B♭ Minor | 0 | 3A | 103 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 80 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM |
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