Sergei Prokofiev, Ezio Bosso's 'Pierino e il lupo, Op. 67: Pierino e il lupo, Op. 67: III. L'uccellino' came out on January 24, 2020. With Pierino e il lupo, Op. 67: Pierino e il lupo, Op. 67: III. L'uccellino being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ezio Bosso's "Grazie Claudio!" album is number 4 out of 17. On top of that, Italy appears to be the country where this track was created. Pierino e il lupo, Op. 67: Pierino e il lupo, Op. 67: III. L'uccellino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pierino e il lupo, Op. 67: Pierino e il lupo, Op. 67: III. L'uccellino by Sergei Prokofiev, Ezio Bosso to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Peter And The Wolf, Op.67 - Narration In German: Andantino (Früh am Morgen öffnete Peter) | Sergei Prokofiev, Wiener Philharmoniker, Karl Böhm, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky | A♭ Major | 1 | 4B | 80 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 3, The Street awakens | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 0 | 10B | 121 BPM |
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