"パッヘルベル:3声のカノンとジーグ ニ長調(3つのヴァイオリンと通奏低音のための);カノン" by プロ・アルテ・アンティクア・プラハ was released on January 19, 1996. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in パッヘルベル:室内楽曲集, so we believe that "パッヘルベル:3声のカノンとジーグ ニ長調(3つのヴァイオリンと通奏低音のための);カノン" is a single. In terms of popularity, パッヘルベル:3声のカノンとジーグ ニ長調(3つのヴァイオリンと通奏低音のための);カノン is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of パッヘルベル:3声のカノンとジーグ ニ長調(3つのヴァイオリンと通奏低音のための);カノン by プロ・アルテ・アンティクア・プラハ is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata VII in Re Major.: I. Vivace | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | D♭ Major | 4 | 3B | 120 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
パッヘルベル:音楽の遊び(2つのヴァイオリンと通奏低音のための);パルティー(組曲) 第5番 ハ長調:3.トレザ | プロ・アルテ・アンティクア・プラハ | F♯ Major | 1 | 2B | 93 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
パッヘルベル:音楽の遊び(2つのヴァイオリンと通奏低音のための);パルティー(組曲) 第5番 ハ長調:2.アリア | プロ・アルテ・アンティクア・プラハ | F♯ Major | 1 | 2B | 93 BPM | ||
Organ Sonata No. 2 in C Minor, BWV 526 "Trio" (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): I. Vivace | Johann Sebastian Bach, Holland Baroque | D♭ Minor | 1 | 12A | 98 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM |
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