Enrique Granados, Manuel Barrueco, Thomas Müller-Pering's 'Granados: 12 Danzas españolas: No. 6, Rondalla aragonesa (Arr. Barrueco & Müller-Pering for Two Guitars)' came out on July 15, 2022. With this song being about 5 minutes long, at 5:27, "Granados: 12 Danzas españolas: No. 6, Rondalla aragonesa (Arr. Barrueco & Müller-Pering for Two Guitars)" by Enrique Granados, Manuel Barrueco, Thomas Müller-Pering is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manuel Barrueco, Enrique Granados, Manuel de Falla's "Granados: 12 Danzas españolas - Falla: 7 Canciones populares españolas" album is number 6 out of 19. On top of that, Germany appears to be the country where this track was created. Granados: 12 Danzas españolas: No. 6, Rondalla aragonesa (Arr. Barrueco & Müller-Pering for Two Guitars) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Granados: 12 Danzas españolas: No. 6, Rondalla aragonesa (Arr. Barrueco & Müller-Pering for Two Guitars) by Enrique Granados, Manuel Barrueco, Thomas Müller-Pering to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variazioni su un tema di Handel, Op. 107 | Mauro Giuliani, Roland Dyens | B♭ Minor | 6 | 3A | 127 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Danzas Españolas, Op. 37: II. Oriental. Andante | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 62 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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