Francesco Durante, Friar Alessandro, London Studio Orchestra, Sally Herbert's 'Vergin Tutto Amor' came out on January 1, 2012. The duration of Vergin Tutto Amor is about 3 minutes long, at 3:10. Based on our data, "Vergin Tutto Amor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice From Assisi by Friar Alessandro. The song's track number on the album is #7 out of 14 tracks. Vergin Tutto Amor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vergin Tutto Amor by Francesco Durante, Friar Alessandro, London Studio Orchestra, Sally Herbert has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vergin Tutto Amor being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM | ||
Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent, Marion Tassou | A♭ Minor | 2 | 1A | 97 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Orfeo ed Euridice, Wq. 30: Qual vita è questa mai | Christoph Willibald Gluck, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy, Johannes Maria Bogner | B Minor | 0 | 10A | 88 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 1 | 5A | 92 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM |
Section: 0.7127866744995117
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