Nicola Porpora, Théophile Alexandre, Guillaume Vincent, Marion Tassou's 'Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano' came out on September 14, 2018. The duration of Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. In terms of popularity, Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano by Nicola Porpora, Théophile Alexandre, Guillaume Vincent, Marion Tassou is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
13 Préludes, Op. 32: II. Allegretto in B-Flat Minor | Sergei Rachmaninoff, Guillaume Vincent | D♭ Major | 1 | 3B | 64 BPM | ||
Giulio Cesare in Egitto, HWV 17: Son nata a lagrimar - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent, Marion Tassou | E Minor | 1 | 9A | 71 BPM | ||
Arianna in Creta: “Son qual stanco pellegrino” | George Frideric Handel, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | F♯ Minor | 2 | 11A | 118 BPM | ||
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Polifemo: Scena VI Recitativo - Galatea, Aci | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea | E Major | 1 | 12B | 81 BPM | ||
Carlo il Calvo: Scena VII: Recitativo - Eduige, Giuditta | Nicola Porpora, Nian Wang, Suzanne Jerosme, George Petrou, Armonia Atenea | D♭ Major | 1 | 3B | 79 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM |
Section: 0.658545732498169
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