"Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie" by Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling was released on July 15, 2014. Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Michael Haydn, Helmuth Rilling's "Haydn, M.: Missa Sancti Francisci / Requiem" album is number 12 out of 18. On top of that, Hungary appears to be the country where this track was created. In terms of popularity, Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie by Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 26 in E-Flat Major, P. 17: II. Adagietto affettuoso | Michael Haydn, Filip Dvořák, Czech Philharmonic Chamber Orchestra, Patrick Gallois | A♭ Major | 0 | 4B | 101 BPM | ||
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 3 | 9A | 139 BPM | ||
21 Hungarian Dances: Allegro Molto | Franz Liszt Chamber Orchestra | G Minor | 1 | 6A | 99 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Requiem for Rossini: IV. Sanctus: Sanctus in D-Flat Major - Hosanna in A-Flat Major | Pietro Platania, Gabriela Benackova-Cap, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 109 BPM | ||
Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | ||
Messe en mi mineur: Messe en mi mineur: Benedictus. Moderato | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | C Major | 0 | 8B | 59 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Concerto Grosso in F Major, Op. 6, No. 12: II. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | C Major | 1 | 8B | 147 BPM | ||
Adagio non molto in F Major (arr. for oboe and chamber orchestra) | Carl Ditters von Dittersdorf, Lajos Lencsés, Franz Liszt Chamber Orchestra | E♭ Major | 1 | 5B | 143 BPM |
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