Isidore Godfrey made "The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls)" available on August 17, 2001. With The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Sullivan: The Mikado (D'Oyly Carte) (1950)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) by Isidore Godfrey having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Stately Homes of England | Noel Coward | E♭ Major | 1 | 5B | 99 BPM | ||
Alma | George V Hobart, Domain of the Public | C Minor | 3 | 5A | 74 BPM | ||
Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
Paganini / Act II: Gern hab' ich die Frau'n geküsst | Franz Lehár, Piotr Beczala, Duncan Riddell, Royal Philharmonic Orchestra, Łukasz Borowicz | A♭ Major | 2 | 4B | 109 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 3 | 10B | 93 BPM | ||
Early One Morning | Traditional, Sir Peter Pears, Benjamin Britten | F♯ Major | 0 | 2B | 113 BPM | ||
Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM | ||
The Pirates of Penzance: Finale Act One | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | G Major | 1 | 9B | 92 BPM |
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