"Julie: Act I, Scene 4" by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono was released on October 1, 2009. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 12 in Boesmans: Julie - Opera in One Act by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Julie: Act I, Scene 4 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julie: Act I, Scene 4 by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puts: The Hours, Act 2: "Louis? - Clarissa. Caught Me Smoking" (Clarissa, Louis, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, William Burden, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Parsifal / Act III: Prelude - Live | Richard Wagner, Bayreuth Festival Orchestra, Pablo Heras-Casado | F♯ Major | 0 | 2B | 87 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Pinocchio: Scène 2 | Philippe Boesmans, Orchestre Symphonique De La Monnaie, Patrick Davin, Stéphane Degout, Vincent Le Texier, Chloé Briot | A♭ Minor | 1 | 1A | 77 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM |
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