"A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano)" by Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis was released on May 3, 2024. The duration of A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) is about 3 minutes long, at 3:15. Based on our data, "A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Tippett: A Child of our Time". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) by Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Symphony of Psalms: II. Expectans expectavi Dominum | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 83 BPM | ||
A Child of our Time, Part II: The Mother, the Uncle and Aunt, and the Boy. O my son! (Soloists) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |
Section: 0.9314985275268555
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